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Katarina Docalovich
Katarina Docalovich
Katarina Docalovich is your average overly educated, under-employed Brooklyn transplant who takes film photos, talks too much about the French New Wave, and goes to the movies 3 times a week.

    Merry-Go-Round Magazine’s Top Films of 2021

    By Katarina DocalovichJanuary 13, 2022
    Film Features

    Gucci, Gaga, Girlboss: HOUSE OF GUCCI Isn’t the Camp Classic It Could Be

    By Katarina DocalovichDecember 10, 2021
    Film Reviews

    LAMB Re-Defines the “Fur Baby,” Meanwhile THE FRENCH DISPATCH Fantasizes a Readable Issue of The New Yorker

    By Katarina DocalovichNovember 6, 2021
    Film Reviews
    The Scary of Sixty-First Still

    THE SCARY OF SIXTY-FIRST Is the Funniest Movie You’ll Watch About the Pedophile Elite

    By Katarina DocalovichOctober 29, 2021
    Film Reviews

    C’MON C’MON’s Potential is Squandered By, As Per Usual, a Man Making a Podcast

    By Katarina DocalovichOctober 25, 2021
    Film Reviews
    Red Rocket Still

    RED ROCKET Is Rare Proof That the Trump Era Can Yield Great Art

    By Katarina DocalovichOctober 6, 2021
    Film Reviews
    Bad Luck Banging or Loony Porn Still

    BAD LUCK BANGING OR LOONY PORN Forced Lincoln Center to Watch Full Penetration Sex, So A+

    By Katarina DocalovichOctober 4, 2021
    Film Reviews
    TITANE

    Maybe She’s Born With It, Maybe It’s TITANE

    By Katarina DocalovichSeptember 30, 2021
    Film Reviews
    Ghost World Screenshot

    Twenty Years of Taking the Bus to GHOST WORLD

    By Katarina DocalovichSeptember 21, 2021
    Film Retrospective

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