Paul Verhoeven’s Best Movie Is the One You Haven’t Seen By Katarina DocalovichMay 8, 2023 Film Retrospective
TRIANGLE OF SADNESS Makes the Rich Drown in Their Own Shit By Katarina DocalovichOctober 14, 2022 Film Reviews
WHITE NOISE Is Bizarrely Approachable for Esoteric Entertainment By Katarina DocalovichOctober 4, 2022 Film Reviews
Gucci, Gaga, Girlboss: HOUSE OF GUCCI Isn’t the Camp Classic It Could Be By Katarina DocalovichDecember 10, 2021 Film Reviews
LAMB Re-Defines the “Fur Baby,” Meanwhile THE FRENCH DISPATCH Fantasizes a Readable Issue of The New Yorker By Katarina DocalovichNovember 6, 2021 Film Reviews
THE SCARY OF SIXTY-FIRST Is the Funniest Movie You’ll Watch About the Pedophile Elite By Katarina DocalovichOctober 29, 2021 Film Reviews
C’MON C’MON’s Potential is Squandered By, As Per Usual, a Man Making a Podcast By Katarina DocalovichOctober 25, 2021 Film Reviews