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Katarina Docalovich
Katarina Docalovich
Katarina Docalovich is your average overly educated, under-employed Brooklyn transplant who takes film photos, talks too much about the French New Wave, and goes to the movies 3 times a week.

    BOTTOMS Is a Great Gorefest, But You Can Take or Leave the Satire

    By Katarina DocalovichSeptember 1, 2023
    Film Reviews

    Reflecting On The Fallout Of OPPENHEIMER

    By Katarina DocalovichAugust 29, 2023
    Film Reviews

    The MPA Are Dumbasses for Giving Ira Sachs’ PASSAGES an NC-17

    By Katarina DocalovichAugust 15, 2023
    Film Reviews

    In THE DELINQUENTS, No One Wants to Work Anymore

    By Katarina DocalovichJuly 11, 2023
    Film Reviews

    We Regret to Inform You that PAST LIVES Is Not Good

    By Katarina DocalovichJune 27, 2023
    Film Reviews

    Living in That Twenty-First Century: THE BLING RING at 10

    By Katarina DocalovichJune 16, 2023
    Film Retrospective

    MAY DECEMBER Is Going to Give Film TikTok a Brain Aneurysm

    By Katarina DocalovichJune 13, 2023
    Cannes 2023

    Make Peace with Wes Anderson Leaving Planet Earth and You’ll Enjoy ASTEROID CITY

    By Katarina DocalovichJune 7, 2023
    Cannes 2023

    Controversial CLUB ZERO Is All About Misunderstood Kids It Fundamentally Misunderstands

    By Katarina DocalovichMay 23, 2023
    Cannes 2023

    The Liberating Humiliation of THE FEELING THAT THE TIME FOR DOING SOMETHING HAS PASSED

    By Katarina DocalovichMay 22, 2023
    Cannes 2023

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