Millions of thoughts raced through my head while watching WHITE GOD director Kornél Mundruczó’s first foray into English-language territory, PIECES OF A WOMAN. ...

You probably hate your job. Who can blame you? There’s no dignity to be found in treatment as an automaton milked for as ...

Almost 20 years ago, I was in attendance at Megan Currie’s 10th birthday sleepover. She invited a few classmates from Ms. Jones’ class, ...

In the throes of catching up with 2020’s scant, but varied cinematic output, sometimes you hit some duds, and sometimes you unearth some ...

As autumn transitions into a bitter winter, there’s no better way to stay inside than with a twisted thriller. Our staff takes a ...

Amy Taubin has written of David Fincher as a filmmaker in the Romantic tradition: someone whose fundamental business is bound up in decay, ...

“Uncle Sam don’t give a shit about your expenses. You want bread, fuck a baker.” TO LIVE AND DIE IN L.A. is such ...

What is COVID cinema? As the online version of the New York Film Festival wraps up, I believe they’ve provided an answer, or ...

The catalog of “New York is Dead” think pieces circulating on the internet is exhausting. I’m a New Yorker and find myself constantly ...

Celebrating its 55th anniversary this year, Jean-Luc Godard’s PIERROT LE FOU is among The Criterion Collection’s prestigious new releases this week. One of ...