Kiyoshi Kurosawa’s THE SAMURAI AND THE PRISONER has a title akin to a network procedural, and perhaps that is not an accident. This ...

Like every teenage cinephile in 2011, I worshiped Nicolas Winding Refn’s DRIVE. The combination of the petty crime antics and explosive bloodshed of ...

“A TIME OF APPARENT MAGIC”  Christopher Nolan’s alleged magnum opus, THE ODYSSEY, opens with a title card meant to set a distinct precedent. ...

Beloved by passionate corners of the internet, BACKROOMS, directed by Kane Parsons, creator of the original YouTube series, quickly garnered attention not only ...

The handful of female-led superhero movies struggle with an identity crisis. They often feel afraid to embrace femininity in both aesthetic and complexity. ...

I don’t know what’s scarier in this movie: being subjected to van life or an entity haunting the main couple. PASSENGER, directed by ...

Curry Barker’s micro-budget OBSESSION (an effects-heavy theatrical debut shot in California’s Burbank suburbs for a reported $750k) is transparently, if not cynically, cyclical; ...

After a blockbuster-ridden 2010s, SNATCH filmmaker Guy Ritchie has spent the 2020s relentlessly sharpening his skills as a cinematic airport novelist. While other ...

I am a fan of Mortal Kombat in the way that I imagine most normal people are. It was the badass fighting game ...

This review contains spoilers for SLANTED. All of your life, there’s an ideal self shoved down your throat. There’s a certain size, shape, ...