Class commentary in film has had a big moment in the past year (derogatory). With TRIANGLE OF SADNESS, THE MENU, and GLASS ONION ...

Festival buzz is tricky. There’s a heavy burden to bear in having the first definitive take about a thing, whether that’s overly positive ...

It’s the still that launched a thousand ships: Brendan Fraser in his comeback as Charlie in Darren Aronofsky’s THE WHALE. In lieu of ...

I’m not a big fan of 2018’s BLACK PANTHER. I don’t have to retread that ground. Right? See, BLACK PANTHER did all the ...

Last Monday, my own mother—a self-professed scaredy-cat and religious viewer of THE GOLDBERGS—asked me the most insane question she’s ever asked me: “Do ...

It’s a wild coincidence that the Parkland shooter dodged the death sentence the same week Blumhouse’s HALLOWEEN boys made a movie about him. ...

The mantra “everyone is equal now” flashes behind male models as they flaunt the season’s hottest designer clothes: TRIANGLE OF SADNESS opens by ...

When it was announced last year that Noah Baumbach would helm the film adaptation of Don DeLillo’s satirical novel White Noise, the reaction ...

In his 1981 memoir SHOCK VALUE, John Waters declared that “bad taste is what entertainment is all about … but one must remember ...

We tossed two of our top horror degenerates, Kevin Cookman and Eddie Lopes, into a room and made them talk about BARBARIAN. Kevin ...