The real Chris Hansen seems afraid to face the version of himself that stars in Lance Oppenheim’s PRIMETIME, an understandably daunting prospect for ...

I was not a fan of Zach Cregger’s BARBARIAN. Those who saw it early at Comic-Con and FightFest touted a revelatory twist beyond ...

Paul Greengrass has a singular talent for capturing the minutiae of a crisis. His docu-dramas CAPTAIN PHILLIPS, UNITED 93, and THE LOST BUS ...

The final line of the program notes for NYC’s Roxy Cinema series on 2006 films (running through September and curated by Steve Macfarlane) ...

In entertainment industry circles, the sentiment towards Dave Green’s looney legal thriller is aggressively positive. Shelved by Warner Discovery for a tax write-off ...

Jane Schoenbrun seems to be embarking on a similar career path to Wes Anderson: complete devotion to a nearly identical thematic hook that ...

Will Gluck’s ONE NIGHT ONLY accidentally captures an undeniable truth about living under fascism: The average person just doesn’t care that much. The ...

Jordan Rowe and I go way back. For most of my life, I knew him as “Rowenet,” just as I was better known ...

Kiyoshi Kurosawa’s THE SAMURAI AND THE PRISONER has a title akin to a network procedural, and perhaps that is not an accident. This ...

Like every teenage cinephile in 2011, I worshiped Nicolas Winding Refn’s DRIVE. The combination of the petty crime antics and explosive bloodshed of ...