Beloved by passionate corners of the internet, BACKROOMS, directed by Kane Parsons, creator of the original YouTube series, quickly garnered attention not only ...

In the short film ONE NIGHT, we witness a connection in a diner, but it sparks into much more than that for Margaret ...

The handful of female-led superhero movies struggle with an identity crisis. They often feel afraid to embrace femininity in both aesthetic and complexity. ...

Memoirs From a Picture Show is a semi-regular column from the Merry-Go-Round staff chronicling memories, miracles, and anomalies from our time spent in ...

Shit starts getting pretty embarrassing once you find yourself admitting when art makes you feel seen. The older you get, the more alarming ...

I don’t know what’s scarier in this movie: being subjected to van life or an entity haunting the main couple. PASSENGER, directed by ...

Curry Barker’s micro-budget OBSESSION (an effects-heavy theatrical debut shot in California’s Burbank suburbs for a reported $750k) is transparently, if not cynically, cyclical; ...

After a blockbuster-ridden 2010s, SNATCH filmmaker Guy Ritchie has spent the 2020s relentlessly sharpening his skills as a cinematic airport novelist. While other ...

I am a fan of Mortal Kombat in the way that I imagine most normal people are. It was the badass fighting game ...

This review contains spoilers for SLANTED. All of your life, there’s an ideal self shoved down your throat. There’s a certain size, shape, ...