Music - Merry-Go-Round Magazine

Merry-Go-Round’s Top 50 Albums of 2022

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HONEY Establishes and Re-Establishes the Potential of Samia

By Grace Robins-Somerville5 days ago

Music Reviews

Arctic Monkeys’ THE CAR Lacks Drive

By Taylor RuckleNovember 1, 2022

Music Reviews

Let Office Culture Soundtrack Your Work Day Sending Benign Emails

By Jack ProbstOctober 25, 2022

Music Reviews

Music Reviews
Discussing the Sun’s FEEL IT ALL Has Too Many Striking Moments For One Review

By Taylor RuckleOctober 11, 2022
Music Reviews
Milly Find The Nuance In 2022’s Grunge Revival With Expansive Debut ETERNAL RING

By Zac DjamoosOctober 6, 2022
Music Reviews
After Exploring Religion and Nostalgia, Rapt Embraces Love on WAYWARD FAITH

By Travis ShosaSeptember 21, 2022
Music Reviews
Dispatches From The Worlds of Detroit Trap and Norwegian Dance Pop

By StaffAugust 30, 2022
Music Reviews
Even Taylor Vick’s Side Project, Art Moore, Is An Essential Listen

By Sean FennellAugust 17, 2022

Music Features

Approaching Björk’s FOSSORA Through the Mycelial Network

By Peter WearNovember 3, 2022

Music Features

Saying “Goodbye, I” to mewithoutYou

By Bryn GelbartOctober 12, 2022

Music Features

I Got The Internet Going Nutz: Kreayshawn and the 10th Anniversary of SOMETHIN’ BOUT KREAY’

By Jacqueline CodigaSeptember 23, 2022

Film Features

SPRING BREAKERS Forever… And Ever… And Ever…

By Taylor LomaxSeptember 20, 2022

Music Features

Massacres of Ages: On Chat Pile, black midi, and the Modern Anxiety of Evil

By Rose SmithJuly 29, 2022

Music Features

Finding All-American Salvation in Ethel Cain’s PREACHER’S DAUGHTER

By Jacqueline CodigaJune 3, 2022

Music Features

Everything In Its Right Place: On Radiohead, Grief, Autism, and Acceptance

By Chris CoplanMarch 25, 2022