H. Nelson Tracey’s BREAKUP SEASON has a unique aura about it—there’s a dash of cynicism, certainly, but ultimately that energizes the film well, ...

I grew up going to church—shout out to Scottsdale Congregational United Church of Christ on Granite Reef and Camelback. The internet will tell ...

I actually thought she had it in the bag. Dubious popular vote count, but decisive electoral college victory after Donald Trump embarked on ...

At last, we have a slasher flick for school boards, parents, and church groups to be scared about. Sacrilegious Christ cosplaying, shopping mall ...

Sean Baker’s return to New York City cinema has been nothing short of triumphant. With ANORA, Baker became the first American director to ...

On April 12th, 1988, the U.S Supreme Court granted American chemical company DuPont a patent license for the OncoMouse: a rodent genetically modified ...

How do we expect a predator to lunge when its hind legs are sinking in mud? One of the more exhausting aspects of ...

Something that Will Wiesenfeld (Baths and Geotic) immediately makes clear about the writing of his first feature film score is that the prospect ...

Best known for making vivacious, mind-bending works, Nobuhiko Obayashi’s realist films have tragically fallen under the radar. In the past few years, however, ...

Apichatpong Weerasethakul—or referred to by Western audiences with inflexible tongues as “Joe”—established his name in the arthouse canon by making enigmatic slow films. ...