“They won’t make movies about us,” young Natalie’s mom warns her as the pair absorbs PRETTY WOMAN on their miniature Australian television set. ...

Before kicking right into review mode, it’s important to cover some basic ground regarding the Academy’s selection for the best live action short ...

I can’t blame you for not rushing to the theater in the fall of 2017 to see HAPPY DEATH DAY. Yet another entry ...

Liam Neeson has made a name for himself headlining bargain-bin thrillers, always offering a subdued Irish brogue and calculated suave that helps bridge ...

M. Night Shyamalan has had somewhat of a troubled career. He positioned himself as one of Hollywood’s best thriller directors, pumping out quality, ...

THE UPSIDE may be based on a true story—whether that story includes elements of vicious gay panic, gags about quadriplegic erect penises, and ...

2019 already has a contender for best of the year. ESCAPE ROOM, while not a particularly thrilling adventure, is a thematically labyrinthine, postmodernist ...

I first heard about THEY SHALL NOT GROW OLD from a random Reddit post. Marketing was fairly limited for this, and I mostly ...

The second of two Ruth Ginsberg films made in 2018—along with the documentary RBG—the grandiose and tenuously-connected-to-reality ON THE BASIS OF SEX is ...

With SULLY, THE 15:17 TO PARIS, and now THE MULE, I’d wager that Clint Eastwood has entered a phase in his life that ...