I can’t blame you for not rushing to the theater in the fall of 2017 to see HAPPY DEATH DAY. Yet another entry ...

Liam Neeson has made a name for himself headlining bargain-bin thrillers, always offering a subdued Irish brogue and calculated suave that helps bridge ...

M. Night Shyamalan has had somewhat of a troubled career. He positioned himself as one of Hollywood’s best thriller directors, pumping out quality, ...

THE UPSIDE may be based on a true story—whether that story includes elements of vicious gay panic, gags about quadriplegic erect penises, and ...

2019 already has a contender for best of the year. ESCAPE ROOM, while not a particularly thrilling adventure, is a thematically labyrinthine, postmodernist ...

I first heard about THEY SHALL NOT GROW OLD from a random Reddit post. Marketing was fairly limited for this, and I mostly ...

The second of two Ruth Ginsberg films made in 2018—along with the documentary RBG—the grandiose and tenuously-connected-to-reality ON THE BASIS OF SEX is ...

With SULLY, THE 15:17 TO PARIS, and now THE MULE, I’d wager that Clint Eastwood has entered a phase in his life that ...

WELCOME TO MARWEN is the cinematic equivalent of a gentrified gay bar. Zemeckis has always struck me as a bit of a peabrain ...

I’m not the biggest fan of superhero movies, but maybe I would be if more of them looked like AQUAMAN. James Wan’s plunge ...