Opening the 2022 Sundance Film Festival was a formidable early showing from A24, doling out some wares from what appears to be a ...

2021 was an odd year of transient, nigh-unidentifiable cinema: leftovers meant for an alternate 2020, knee-jerk responses to the ongoing crises of the ...

THE MATRIX is an experience that producers, filmmakers, and audiences alike have been chasing the cultural and commercial high of like junkies ever ...

“In your opinion, if anyone around the world wants to take their revenge on the assassination of Soleimani and intends to do it ...

Patrizia Gucci (née Reggiani) is not your ordinary gold digger—she’s not happy to just be a gorgeous trophy wife with one slice of ...

I’ve heard exactly one song from Jonathan Larson’s RENT (I’m sure you could guess which), a musical I only know the plot of ...

Our very own, very brave Katarina Docalovich parted the snot-nosed seas of film school burnouts & $45 baseball cap purchasers to face down ...

Over the past few years, Japanese filmmaker Ryusuke Hamaguchi has quietly become one of the most exciting and thoughtful directors working today. Though ...

“Do you feel like you’re being watched?” This may as well be the slogan of our digital age generation, brought up under constant ...

Spending time with children that aren’t your own has an undeniably unique impact on the adult psyche. Kids pick at the questions you ...