Fresh out of the 2021 New York Film Festival, Hilary Jane Smith downed a double dose of undiluted auteur-driven cinema: Joanna Hogg’s THE ...

Our very own Hilary Jane Smith is reporting from the 2021 New York Film Festival. Today: Maggie Gyllenhaal’s THE LOST DAUGHTER and Rebecca ...

The year is 2016. Election coverage is suffocating television screens across the country, and all the pollsters are reporting that Hillary Clinton is ...

If you are looking for a polite review of a polite film meant for polite society, turn back now; you have been warned. ...

Were Casper Van Dien and Denise Richards informed of the extent to which Paul Verhoeven hated them when making STARSHIP TROOPERS? Was S. ...

Devotees of the female antihero archetype rejoice, there’s a new crazy ass white girl in town, and she’s a little twisted. As a ...

Christian disco is not my favorite music genre, but listening to “Jesus Keeps Takin’ Me Higher” ahead of THE EYES OF TAMMY FAYE ...

Early on in CRY MACHO, director and star Clint Eastwood treats us to an image that has endured for decades in American culture: ...

Every generation misguidedly believes they are the first to ever encounter the awkward, often painful coming of age experience. Gen Z can’t get ...

James Wan’s latest, MALIGNANT, is a unique outing in the context of the filmmaker’s output to date. Wan bears responsibility for incepting two ...