As autumn transitions into a bitter winter, there’s no better way to stay inside than with a twisted thriller. Our staff takes a ...

Amy Taubin has written of David Fincher as a filmmaker in the Romantic tradition: someone whose fundamental business is bound up in decay, ...

“Uncle Sam don’t give a shit about your expenses. You want bread, fuck a baker.” TO LIVE AND DIE IN L.A. is such ...

What is COVID cinema? As the online version of the New York Film Festival wraps up, I believe they’ve provided an answer, or ...

The catalog of “New York is Dead” think pieces circulating on the internet is exhausting. I’m a New Yorker and find myself constantly ...

Celebrating its 55th anniversary this year, Jean-Luc Godard’s PIERROT LE FOU is among The Criterion Collection’s prestigious new releases this week. One of ...

Steve McQueen—Black genius, British genius—has created an anthology series of films entitled SMALL AXE, all centered around the West Indian community in London ...

I did not want to see THE SOCIAL NETWORK when it was released in 2010.  I found the trailer pretentious and the proximity ...

This year’s New York Film Festival is markedly different. I’m usually distantly creeping on Tilda Swinton or Martin Scorsese in Alice Tully Hall ...

Two of the most savagely reviewed films of 2020, ANTEBELLUM and THE DEVIL ALL THE TIME, don’t fare much better over here at ...